Twin Peaks returns to television today.
For fans left hanging for decades by the cliffhanger ending of the original series, this is still hard to process. The immense secrecy around the project makes it even harder to imagine what’s coming. The elusive Twin Peaks narrative has spread into the real world surrounding it.
Long-time fans are naturally eager, but media coverage reveals pronounced interest where you might expect to find cynicism. Franchise resurrection – and criticism of it – is now de rigueur and has spread from film to TV, including The X-Files, Gilmore Girls, Prison Break, and many more. Twin Peaks might understandably be treated as yet another dubious instance.
But quite the contrary: has any TV revival after a long absence felt like such a worthy creative venture and been treated as such? Or at least a risk worth taking? Healthy skepticism is out there, but the prevailing mood is acceptance and curiosity rather than dismay at the reanimation of a long-dead property. Top publications are venerating the show with few caveats. Even Sight and Sound put the show on its cover. Why?