Streaming services like Netflix and Amazon are spending enormous amounts on original shows. In the frantic race to stay ahead, some of that money will inevitably be thrown at underdeveloped projects. Netflix’s Sense8 is Exhibit A. An enormous budget and vast resources have been lavished on a script with a fatal lack of believability and momentum.
If only these problems had been overcome, because Sense8’s philosophy is admirable and valuable in our divisive political climate. Creators the Wachowskis and J. Michael Straczynski have built a show around the importance of empathy and love. Eight strangers from around the world become telepathically connected, able to share thoughts, skills, and experiences that give them new insights into humanity and themselves as they navigate their day-to-day lives.
To reinforce the scope of their connection, the series doesn’t simulate their home countries from a single production base as most shows are forced to. Sense8 actually filmed in the US, the UK, Mexico, Iceland, Kenya, Germany, South Korea, India, and more. Even the whole cast made the trip, flying around the world despite appearing only as visions in each other’s minds. The effort made behind the scenes intensifies their bond on a meta level.
Considered as a lushly filmed travelogue, Sense8 is a treat; rarely does scripted TV show us so much of the world. And Netflix, eager to make a mark, was willing to pay for it based on the first three scripts. But if they assumed the story would gather steam, they must be disappointed. The show’s lack of buzz – compare Sense8’s cultural footprint with that of SF stablemate Stranger Things – is likely a direct result. A show this expensive can’t afford such narrative inertia unless the character work is supremely confident and effective. Sadly, it’s not.