SPOILERS below the cut
The catalyst for everything that happens in 11.22.63 should have tipped me off that this mini-series would have fundamental flaws. The main character travels back to 1960 to prevent the assassination of John F. Kennedy. How? Through a time portal in the back room of a diner.
As a means of time travel it’s more suited to a fairy tale or a sketch comedy than a serious drama. The script doesn’t even bother to distract us from how arbitrary a plot device it is. But for the first few episodes, the contrivance is forgivable because it efficiently ushers us into the unabashed fun that the premise creates. In one of his periodic shifts sideways into unexpected jobs for a movie star, James Franco plays Jake Epping, a Maine schoolteacher recruited by his old friend Al (Chris Cooper), owner of the diner, to save JFK. He moves to Texas and spends three years preparing, including by spying on Lee Harvey Oswald. If he determines that Oswald acted alone, Jake will kill him to change the future.
The opening episodes have a Back to the Future appeal as we watch Franco adjust to life in the early 1960s, often failing to hide his 21st century perspectives and speech pattern. Watching him track down alleged key players in the assassination conspiracy has a meta thrill. This period of American political history has become so culturally iconic that it feels mythical and almost fictional in what a strange loose end it remains. 11.22.63 understands how exciting it would be to follow a contemporary of ours crossing that divide and watching it unfold around him.